Category: Commerce

Electric Dreams of PKD and Safe with Foster

First, don’t you hate when a near-blogfaded bloggers apologizes for not blogging in so long? Yeah, me too. Sorry.

I can’t believe I haven’t complete binged the entire series of “Electric Dreams of Philip K. Dick” already, I still have a few episodes to go — but I’m really loving it. Well, I love the fact there’s more SF on TV right now, period! And, of course, being a huge Dick-head, I’m overjoyed that he’s getting even more screentime. Even though, I think, this show has been a mixed bag of both quality and level of honoring the original story the episode comes from, overall, I’m quite enjoying it.

But there’s one episode in particular I can’t get out of my head and I keep wandering back to in comparison to the original story and Dickian themes. The episode is “Safe and Sound” based on the story “Foster, You’re Dead!” I’ll give a spoiler-free general thought first, then I’ll get into some specifics after a warning.

I keep thinking about this one because the original “Foster” story is one of my favorites of Dick’s, and entirely because of the blatant criticisms it lays at late modern capitalism and disposable consumerism and manufactured need in order to make people endlessly consume. Dick has never been accused of being subtle, and this story he is at his bombastic best. The show episode “Safe and Sound,” however, does play into some subtlety and, actually, brings in some classic Dickian elements that the story did not contain, which was really interesting — but is actually at the core of my consternation. More on that after the jump.

But one of the things I thought the show did fantastically well was in modernizing the story while keeping the fundamental themes. The plot is different, but in ways in which make perfect sense, bringing story set in and critiquing late modern capitalism to that of our late postmodern capitalist world. Updating the threat of Cold War and Soviets and bomb shelters to invasive privacy issues, existential threats of terrorism, and identity. I suppose there’s not much more I can say without spoilers, so I’ll just say despite my problems with the episode, it’s a really fantastic one (even if I’m stymied whether I like the ending or not — and, even as I write this, I’m coming to the belief the ending is actually more in keeping with the story than what I would have liked to have seen in an episode they set up if it weren’t based on previous work).

And below be spoilers!

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Reports of print’s death are exaggerated

Okay, I never actually said print was dead, did I? Well, I did clarify, at least, yeah? So, to cease to dissemble, the big news is this:

My books are not in actual dead tree paper print! I’ve been spending the last… goodly amount of time in editing, formatting, proofing, cover creation, and the end results can be sent to your grubby but discerning and generous hands!

Singularity_Deferred_Cover_for_KindleSingularity Deferred: Amazon and Barnes and Noble

First Hand of the Night: Amazon

I’ll soon be hawking my wares to local bookstores friendly to local independent authors.

This is the next big benchmark of both my career as an independent author and as a hopeful publisher. Some inside baseball: My goals have been to fully grok ebook creation and distribution. Then, research, understand, and delve into the vagaries of print publishing my own works. I feel I should do at least one, maybe two, more works of my own before I feel competent in that regard. The next stage from there is to publish another’s work.

Then I have some choices to make regarding where to go from there. Do I want to continue solely publishing my own work and the occasional compatriot? Or do I want to expand and actually become a publisher legit, and pay proper fees and royalties to authors to publish? It’s one of my dreams, but how much might that take from my greatest goal and dream of “simply” being a writer? I’ve said before how Jason Sizemore and his Apex Publishing is a model for me, and in many ways still is. But, how far do I want to go down that road? I still have a lot of thinking to do.

In the meantime, buy my stuff? *cheesy grin* Spread the word? Meantime, I’m still working on that novel sequel, quit bugging me!

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Adjusted earnings

 

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I’m of two minds on this article: On the one hand, copyright law is completely effed (thank you, Disney!) and should be scrapped and rewritten for the 21st century. Artists should be free to use others’ works to create new art, providing a. credit and attribution is given appropriately, and b. the original work is kept available for anyone to view/read/buy etc.

 

On the other hand, as it is, the Philip K. Dick estate has been very lenient in allowing others to play with his stories — very lenient (I’m looking at you, “Next” and “Paycheck.”) The estate is simply wanting to get what was previously agreed and promised to them, and they’re certainly in the right for that! In this case, the studio is simply looking for a loophole to avoid their obligations (as is their usual M.O.).

 

As a freakin huge fan of PKD, even with business ethics that put the estate in the right, aside, I want the estate to win. But I must still admit — I think the film was much better than the story, which suffers from PKD’s too-often emotionally sterile style.


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Stories for sale!

for saleNow, for your e-book reading enjoyment, I’ve put some of my stories (both previously published and new) up for sale on this site!

Maybe it’s an experiment to see if it goes anywhere, maybe I’ll be able to pay rent. Maybe my hopes and spirit will be dashed upon the barren rocks of disinterest. We’ll see.

But if you’re someone who like to support artists directly (especially poor, struggling artists) instead of corporate stock holders for media conglomerates, consider buying a couple stories — or the low low priced five-story collection! They work great on iPhone/iPad’s iBook reader, Kindle, Nook, and other readers.

So, check the story page out and take a look at samples of the tales, won’t you? Your patronage will be appreciated!

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