Category: Writing Page 2 of 4

What I’ve been doing while not blogging; and good novel news

Ugh, I hate having to get meta on the blog. Which usually only happens because I haven’t been on for a great long time. So, why? Some good, some bad–none of it a good excuse.

First of all, there’s my day job. I won’t get into it because I hate talking about my day job (here, at least. It’s a good job, but I hate the fact that I have a day job that’s not writing or the business of writing). Anyway, it’s been killing me lately with this big-ass project that I’m in charge of. Even though it’s not too many more actual hours at work, it’s been more brain-killing lately.

Then there’s the pencil-and-dice role-playing games. Now this is a good one! In the last few months I have been planning and prepping and running several games: A new regular Eclipse Phase campaign, a short-run Spycraft (converted to Savage Worlds rules) campaign, and the return of my 1st edition AD&D campaign. Oh, and a couple of convention games of EP I ran at Visioncon. Writing and prepping RPG games is a lot of hard work, but it’s so very much a labor of love! I adore game mastering RPGs! Given the choice between being a player and GMing, well, I like playing now and then, especially under certain GMs, but I pick GMing over playing by default any ol’ day. I love the world-building, creating plot and stories and characters, and then the facilitation of crating a shared experience where players get to play with these elements and create their own story with the tools I provide. Love it love it love it!

Writing, you say? Have I been doing any of it? Well, not much, I’m afraid. Once the day job project is essentially over in early April, and the Spycraft game is done, I should have more time and brain-power to spare to doing writing. I got well into my next novel before time and energy got away from me, and I need to get chugging on that. Especially since there’s been more call for a sequel to Singularity Deferred.

Speaking of my first novel, I got some good news there. I entered the Amazon Breakthrough Novel competition, and mine has advanced to the second-round judging. If it doesn’t move on from there, I at least get an Amazon review out of it and can claim “third prize” (along with 399 other sf/fantasy novels). So that’s neat. (It doesn’t help the competition any; but, if you would be so kind, maybe buy and/or review the novel on Amazon?) 🙂

Okay, that’s as much of an update as I’m going to do now. I have the gumption I’m going to post, I think, two more posts after this on something not meta. Thanks for reading. 🙂

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NaNoWriMo 2012

Time to play NaNoWriMo once again! I give it a go every other year or so. In the past I’ve not participated because, oh, I was busy writing my thesis or editing the novel I’d finished… things like that. I have a friend who recently lamented that he couldn’t play NaNoWriMo this year because he was busy with a freelance writing project. I found it tres amusing that he should feel bad about not participating in an arbitrary get-people-to-write gimmick because he was already writing productively–for pay.

Well, I have writing I’m working on, but it’s always good (great, actually) to have set goals, to write every day, to give yourself rewards and social punishment for being productive or being lazy about writing. So, I like NaNoWriMo and what it does for me (at least for the first couple of weeks before I realize that trying to write for two hours lat at night, after a day of work, doing cooking and cleaning and laundry, makes being productive writer on a forced writing march, very emotionally draining and leads to poor output). But in the meantime, here I go….

Though, I must say, preparing for NaNoWriMo this year (what? You don’t prepare?) gave me a massive epiphany! I have a handful of story ideas percolating in my noodle at a time, sometimes for days before I start writing them down, sometimes years. My first novel, the seeds of that one I’d been playing around with for four or more years before I finally started it. Well, among others, I’ve had the bits-n-pieces of three different novels working around for a very long time. Except one of them, the young adult novel I started thinking about a couple years ago and started writing a couple of months ago — that one’s the newest. Well, I decided I’d take one of the other ones and work on that fro NaNoWriMo, and as I started to outline the events and thumbnail the setting, something amazing came to me! These three particular, separate novels, are part of one giant epic that spans centuries! And the ways and reasons why the three settings are different, but similar, give me some really fun effects of time and social evolution to play with. But, there’s a distinct connecting line through them. Each novel can be read separately (and in the case of the young adult one, which sits as the middle book, it really must be distinctly separate because I want to keep that young adult while the other two are certainly for more mature readers), but the experience is much richer for having read the one(s) preceding it. Anyway, it’s been real fun working on the nuts and bolts of this more expanded universe that just opened up for me.

 

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Distracted by my no distractions editor

omm writer

At GenCon last week, at one of the writing panels, I sat behind someone who was taking notes on their really sweet Apple Macpro Air Jordan Tigerbond, or whatever they’re called. I don’t think I can even afford to know its proper name. And I couldn’t help but notice that the text editor he was using was extremely cool. No bars or ribbons or icons or buttons anywhere–just a nice, pleasing full-screen image and the text situated in the center third of the screen without borders. Really nice. I was afraid it was going to be some Apple proprietary software.

When the panel ended, I risked being rude and asked him what it was he was using. Happily, he told me it was Omm Writer, a free (for the older version) or super-cheap, pay-what-you-will (for the latest version) distraction-free editor. But what’s even cooler, it’s available for PC in addition to Mac! … except I use Linux. Except I do have a PC with Windows that I only use to convert documents into files Amazon will accept for their e-book store. (Stupid Kindle issues with Tables of Contents.)

focuswriter and a busy background theme

So, using the best frakkin’ Web site ever created, Alternative To, I followed some links and reviews until I came upon FocusWriter. It’s also a for-donations application that actually works on Mac, Windows, and Linux! And indeed, as people on LifeHacker and the NaNoWriMo boards have said, it’s an amazing no-distraction editor! You can set timers/goals, such as how much time you want to write or by word count; basic rich text formatting; typewriter keypress sounds (little things make a difference). And what I really like, is you can download themes, quick and easy, and modify them. Then, you can switch among them based on whichever story you’re working on. My current young adult fantasy novel, I use “Leathers,” for my Eclipse Phase fanfic, I use “Bladerunner – Cockpit,” for a horror story I’m working on, I switch to “Midnight Dreary,” and for the contemporary lit novel I’m playing around with, I use a somber “Winter Afternoon.” They really help one’s mindset for that story.

So, I spent about an hour on that instead of writing. And now I’m spending time writing this. :-/

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GenCon-inspired motivation

Last week I attended the largest gaming convention in America, GenCon. Four days of role-playing games, sci-fi cosplay (not me, personally), writers’ workshops, dealer room (and by “room,” I mean ginormous arena of more product in one place than a human mind can comprehend). It was amazing!

I’ve been known on my blogs to babble in incessant detail about the minutia of an experience. I’m going to try to avoid that here, else this post will go on for days. Four, to be precise. So, instead, I’m going to attempt an overview and then get into a few details now an again.

What brought me to GenCon this year, several years after my previous and first trip, was the decision to volunteer to game master some rounds of Posthuman Studio’s amazing RPG, ECLIPSE PHASE. To be honest, and perhaps to the surprise of the volunteer wrangler if he chances upon this, I’d not actually run an EP game before. Oh sure, I’ve been GMing RPGs since I was 10, some (oh… my… god!) 30 years now. (Pardon me while I take a stiff drink or five.) And I’d been reading EP materials for more than a year, trying to convince my regular gaming group to let me run some for them (to no avail). So, when I saw the call from Posthuman for GM volunteers, I jumped at the chance. I think I literally jumped.

What followed was weeks of intense EP studying and, finally, getting a couple groups of my friends to allow me to test the adventures I’d be running on them. Gladly, that went well. More importantly, the actual GenCon rounds I ran went fantastically well! (Fortunately, I’m the kind of GM who, if I run into some kind of road-block, I create workarounds and can wing it really well, with the primary goal of making sure everyone has fun. (Which, by the way, does not mean everyone gets to Monty Haul their way through the adventures… I did indeed end up killing a couple of characters in a most dramatic and worthy fashion, and just about Total Party Killed one group. They really enjoyed the tension-filled drama!)

Anyway, to wrap this part up, ECLIPSE PHASE is an incredible game, and Posthuman Studios is filled with great people! (I found it very amusing, and cool, that nearly everyone I saw working the Posthuman booth sported body mods: lots of facial piercings, hair coloring, tats. …and they were young–20s, certainly. A realization that helped lead me to a personal revelation which I’ll deal with soon. Anyway, great people, cool company (they actually put their $50 core rule book free online under Creative Commons! Can you believe that?!) I’m hoping to involve myself with them more.

So, that’s what took me to GenCon. But better yet, the wife and I decided we’d make it a family vacation with the daughter. We all searched and scoured the GenCon schedule for things to do, and successfully found a few things to do together; but, ultimately, all three of our schedules were pretty filled all four days.

Wife and I played an interesting board game that’s about to come out and was funded with Kickstarter, called “Oh My God There’s an Axe in My Head!” I’m looking forward to getting a copy. The three of us attended Tracy and Laura Hickman’s (you know, Tracy of Dragonlance fame) Killer Breakfast. Fun! But he wasn’t nearly as clever and quick as I expected him to be. Meh, that’s OK–it was a cool experience, and I love his writing. Daughter attended workshops on Doctor Who jewelry (read: Shrinkydink) making, makeup, anime stuff, and more stuff. She and wife make funny-cool felt doll ninjas and zombies, and played a “furry”-based RPG.

One of the things wife (I really need to get permission from her to use her name in public) did on her own was attend a Shadowrun improv show. She found it funny, and it really revitalized her Shadowrun interest! (I used to GM her and some college friends through many adventures back in the early 90s.) Now we’re browsing the ‘net-tubes for copies of Shadowrun 4th edition. Guess what I’ll be doing again, soon. *wink*

The vendors were legion! And, man, if only I’d had money, and lots of it. So much to buy! I had my eye on an interesting non-collectible card game that allowed you to create and play through a dungeon adventure solo or cooperative or multi-player. What I did end up getting was the new FADING SUNS book, which, sadly, after the controversial departure of their lead designer (wow, they’ve completely locked down their forum since I was there last, when stuff hit fans–yikes!), isn’t the revolutionary new version we fans had been expecting. By the looks of it, it’s a version 2.5, though the lady was trying really hard to say it was virtually 3rd edition. In any case, it does clean up and streamline the 2nd edition rules, which is well worth it in any case! Whatever questionable things the company has done/is doing, I still love that game! And I got the ECLIPSE PHASE supplement book, GATECRASHING. (Their books, by the way, are some of the best quality I’ve ever seen, period.) Daughter picked up a Doctor Who sonic screwdriver and a very nice pocket watch that, without any influence by me, happens to look very much like my own pocket watch that she didn’t know about. She’s my daughter. *smile*

I didn’t get to meet Wil Wheaton though I so wanted to. $25 to meet and get an autograph, which I don’t begrudge him at all! But that’s just too much for me. I did get to meet, speak with briefly, and get to sign my Nook, author Michael Stackpole. I’ve been a fan of his for years, but more so after I found out the work he did putting the “Dungeons & Dragons is evil!!1!” people in their place in the 80s. And even more more so after listening to his Stormwolf advice and hosting Dragon Page podcast.

Which leads me into the real meat of this post.

I attended a few writing seminars and panels (though not near as many as I wanted to!), including one of Stackpole’s. I heard from editors and publishers and authors about the business of writing, about networking with others in the industry, and other topics that deal with the writing career, as opposed to the act of writing. (Heck, as I’ve written before, I’ve been studying the art and craft of writing for year– *sigh* decades.) Oh, I also watched the taping of four episodes of Writing Excuses podcast. Sadly, I couldn’t get Brandon Sanderson’s autograph. *pout* Hearing from professionals about the profession was more than just informative, it was illuminating. It was motivating! Half the people on the panels were young, or started very young. And once again, for the tetragabazilionth time since I started grad school a few years ago, I felt the very sharp and painful pang of regret at all the lost time! I am starting a new career path, based on my passion now at middle age. Not only do I only have half the time in front of me to accomplish and enjoy my goals, but I’m trying to do it with a demanding full-time day job and a family while my peers and competition both are doing the same thing at the peak of their vigor and freedom.

Well, yes, this feeling of loss and desperation was sharp, as it always is–but what I also felt and was/am quite glad for it, is excitement and anticipation and hope. For example, working for someone else as a slush pile reader should be an intern-like job for a young person, but I’m excited about the chance of getting to do it, and gaining the skills and experience it will provide. Trying to network at my age and position will be difficult, but now I have a head (and some notebook pages) full of tips and suggestions of how to do it properly and effectively, and I’m excited about that as well.

And so this is what I came away from GenCon with: the renewed thrill and appreciation of my RPG hobby, renewed motivation and hope for my writing, and a renewed plan and energy for my editing/publishing goals. And, interestingly, one of the things that the helped these renewals, was the fact that in 4 days I barely looked at Facebook. The realization: I need to stop using Facebook.

Sadly, that’s not entirely feasible as Facebook is a great tool to me for learning news and info about books and authors and publishers, getting scifi/fantasy inspiration, networking with others in the industry, keeping up with gaming news and releases, and, of course, promoting my own works. So, leaving altogether would actually be a bad idea.

What I did do, though, is set up a new account and liked/subscribed/friended people and pages and groups and interests that focused entirely on writing, speculative fiction, publishing, and other manner of related subjects. (See, my original account was filled with socio-political-economic-philosophical matter that compelled me to not just visit every moment I had a break from work/family/work, but read and respond with negative-feeling emotion that, while was very important to me, sapped my mood and attitude and encouraged misanthropic crumudeonry. Those socio-political-economic-ideological beliefs I still feel very strongly about; but, I decided, it was time to make all that take a backseat to what I want to be most important to me, aside from my family. My writing and writing-related career.

So, here it begins… again. Wish me luck!

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No Kickstarter, but Singularity ebook is a go!

Update 1: Added Amazon Kindle links.

Okay, so the Kickstarter project to get the novel Singularity Deferred didn’t go over so well. That’s fine; it was something of a long-shot. So, we move on to Plan B: While I won’t be able to crowdsource the funding from contributors (who would have received the book as well as incentives), I’ll simply put out a first edition e-book to raise the funds. This will allow me to possibly succeed in two ways:

1. If the sales of the e-book go really well, then that’s all I’ll need to rely on and the funds from that will go to the professional graphic design and artwork, layout, marketing materials, and print run. But, if after a while the income isn’t as great as it might be but the feedback is positive, then…

2. I can use that feedback and garnered book reviews posted where it’s purchased (Smashwords, BN.com, and Amazon*) to help give a second Kickstarter attempt more promise. And, whatever funds gained from the e-book sales, would help mitigate what I would need to generate from Kickstarter contributors to complete the print project.

So, if you want an exciting scifi adventure to read, spend a mere fraction of what you would in a Nook or Kindle store e-book and purchase and download Singularity Deferred! Then, when you discover how much you’re enjoying it, go back and post a review, if you would. It’d certainly be appreciated!

And while you’re there, buy an additional copy or two to give as gifts! Everyone wins! 🙂

(*At this moment, the review processes to add the novel to BN.com is still going on. But if you have a Nook or even a Kobo or iPhone/iPad, copying the EPUB you buy from Smashwords should be a breeze!)

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“The Return of the Novella, the Original #Longread”

The Atlantic has a really interesting article entitled, “The Return of the Novella, the Original #Longread.” The author discusses how the novella, once the literary standard, is now the red-headed stepchild of the publishing industry. I like this section from Stephen King’s discussion on the topic in Different Seasons:

“I couldn’t publish these tales because they were too long to be short and too short to be really long,” he lamented. King illustrates his point with a geographical metaphor: The short story and novel are like two respected nations sharing a vast, ill-defined, and sordid border region. “At some point, the writer wakes up with alarm and realizes that he’s come or is coming to a really terrible place,” King intones, “an anarchy-ridden literary banana republic called the ‘novella.'” It’s a dark place for a writer to be, and most feel they must keep going, or else turn back.

Then, the article begins to discuss the Melville House Publishing project to publish, in physical print form, classic novellas. Cool idea!

But it took a frustratingly long time for the writer to even touch on the subject of e-books and online publishing. Finally, near the end, he deigns to spend a couple of paragraphs on the topic:

And, increasingly, the prohibition against short books seems to make no economic sense. Thanks to e-readers and digital editions, we’re seeing a renaissance in the mid-length non-fiction. The journalistic equivalent of the novella is thriving—whether it’s through Kindle Singles or Byliner one-offs like Jon Krakauer’s blockbuster expose, “Three Cups of Deceit.” These novella-length#longreads have proven to be profitable for authors and publishers as well as pleasurable to readers. Why shouldn’t the increased formal latitude extended to journalists be granted to fiction writers, too?

That’s all he says on the subject. In an article (a good and informative one, don’t get me wrong) that defends the novella and discusses its potential come-back, he only gives a passing mention to the single most important lifeline to the novella: e-publishing. And, especially, the self-published novella. That’s not to say the established and contracted author wouldn’t want to put out their novellas in convenient packages–even this article mentions how contemporary writers would like to have that option. But publishes have priced themselves into trouble with their hyper-inflated e-book prices. When you’re making customers pay $15 for a digital copy of a book, when the dead tree version is only a buck or two more, how can you justify charging less for 2/3 the size work? I mean, $15 for a product with no physical existence, no material cost, virtually no overhead, regardless of if it’s a 100,000 word work, a 40,000 word work, or a bazillion-word work, they’re in a bind justifying charging their likely $12 price for something that the consumer will more readily pause and wonder why they’re paying that much for the equivalent of a 60-page book.

The self-publisher is in a perfect position to take advantage of the big publisher’s foolishness. As many novel writers are charging $3 to $5 for a novel, they can easily charge a very reasonable $1 to $3 for what the article writer defined: “a narrative of middle length with nothing wrong with it, an ideal iteration of its own terms, that can devoured within a single day of reading.”

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30 Day, not so much

sorry 🙁

I’m afraid I’m going to have to renege on that earlier promise to go through a rough draft process using the book First Draft in 30 Days. That is, I’m probably going to continue using the book, but I’m afraid if I try to analyze and review and blog about each step, I’ll be doing more words of that than my actual story! And right now, I can’t afford that. Let me explain:

I was laid off of my day-job last week. Sort of. That is, my job goes away by the end of June, and technically I’m without a main income (and insurance) at that time. But, I can apply at my work for one of the new jobs that are replacing it. I’m hopeful, and I have a good chance–but nothing is certain and I have to just assume that I’m going to be unemployed in 2 months. And even if I’m not, this event is showing me that I have to kick my writing and publishing efforts into full gear if it is to become a viable second income any time in the near future.

What this means is that, while have one collection of short stories out there, and soon an e-book novel (the Kickstarter is apparently not going to meet its goal, which means no print version in the foreseeable future), I need to really start pumping out the books! And then, get the publishing imprint going once I have the product and experience out there to back it up.

So, from here on out, I need to pump out the words hardcore on my next manuscript, and not take the time for long blog posts. Sorry. 🙁 In any case, I’m still too inexperienced of a writer to be showing off my early research and sketch-notes! Perhaps, once this next novel is completed, I can take the creation materials and do a retrospective on how the book worked. We’ll see.

Anyway, since the topic of work and jobs has been broached, I want to share something I found on BoingBoing this evening: a leaked copy of highly successful video game company’s employee manual. Reading that PDF and seeing how well they’ve incorporated a ROWE/anarcho-collective work environment–makes me very jealous! Although, once I can transfer my writing/publishing into my main job, I’ll have my own results-only work environment, and maybe I’ll make up a similarly creative and rewarding employee manual for myself. 🙂

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Quick Kickstarter update

Kickstarter logo owned by kickstarter.comWell, the Kickstarter project to publish my novel, Singularity Deferred, is nearly over, but it’s far from successful. Despite the contribution of some very generous people, it doesn’t look like it’s going to reach the goal. The various places I planned on promoting the project hadn’t turned out quite the way I’d hoped. For example, just as I sent my promotional material to Dragon Page: Cover to Cover, they decided to stop putting out episodes.

However, I have one last hope: a favorite author of mine, John Scalzi, is actually allowing people to promote their Kickstarter in a special thread every Wednesday! I’ve set up an alarm to remind myself to post there promptly the next two weeks before the Kickstarter ends.

Some significant changes coming in my day job very shortly. We’ll see how that affects my writin’ n’ publishin’ work shortly.

And finally, in update news, my cold’s just about subdued enough to be a non-issue. I plan on recording chapter 6 tomorrow evening. Then, look for the official beginning of the novel draft exercise I mentioned last week.

Caio!

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First Draft in 30 Years. Days! Sorry, days.

So, there was a time in which I collected writer’s guide books. I still have most of them, from Orson Scott Card’s Characters & Viewpoint to Jack Bickham’s The 38 Most Common Fiction Writing Mistakes, novel books like Oakley Hall’s The Art & Craft of Novel Writing and Bickham’s Writing and Selling your Novel (I seem to have a lot of Bickham’s books), a handful of writer’s guides like Police Procedural and Scene of the Crime, idea books like The Writer’s Idea Workshop and The Writer’s Book of Matches, and general writing helpers like Woe is I and Zinsser’s On Writing Well. At a glance, I have more than 25 of these writer’s helper books that promise to make you a published, if not brilliant, writer.

And then one day I realized: I read more about how to write than I do any actual writing! Thanks to the Intertubes, with all its bloggies and podcastings, one thing I learned from a great many actually published and brilliant writers who don’t have writer’s guide books, is that the old chestnut is true: A writer writes. Whether you subscribe to the theory that you’ll be a skilled writer after so many million words written, or so many hours spend practicing your craft–the bottom line is you don’t get better by reading about writing, you get better by writing.

(Well, and also fixing your writing. I mean, you could write a million words, but if you think everything you write is golden–you’re not going to get any better at all! The trick to write write write, and then fix fix fix. Only by doing that that that over and over and over, does one become a better writer!)

That said, there’s some benefit to all these books. I mean, it can be helpful to learn about good motivation, scene beats, dialog tags, the pros and cons of point of view and voice, and other aspects of the craft. And, learning these nuts and bolts might shave some hours and words off the time it takes for the complete novice who would otherwise trial-and-error their way into learning these things. Not everyone can be a naturally brilliant yet unschooled Patrick Rothfus. *grin* (Am completely digging on his Name of the Wind right now. Captivating!)

I suppose it’s somewhat unfair of me to slam these helper books and say “We don’t need no stinkin’ Writer’s Digest press books!” since . . . I’ve actually read them, and I’ve no idea if (once I finally put the books down and picked up the metaphorical quill) I started writing, if I hadn’t read those books over all those years, I’d be writing at the same level as I am now. (Assuming, that is, my current level is a recognizable level and not, you know, a sub-level.) I’ve heard from more than one successful writer that creative writing classes are a pointless waste (can I have those 12 credit hours back, please?), but I wonder if they say that because they’re that rare breed that was able to suss the craft more easily from reading others’ works and emulating it in their own? After all, additionally, many of these same writers claim that being successful takes only a glimmer of talent–the rest is all perspiration! Is there anything wrong with seeking to perspire a touch less if you can learn some technique and skill without the trial-and-error?

Regardless of to writer’s guide or not to writer’s guide, the key is to write! No matter what. Don’t wait, don’t “learn” and delay until you’re “ready,” because no matter how much you read and learn you’ll never just be ready. Not without some sweat equity invested!

And so here is where I get to the point of this post (obviously, some people may need to write less). If some of these books, in moderation and taken with a grain of salt and in conjunction with doing, can help, let’s take a look at what benefit they may offer. And, more to the point, I wanna get some more tangible use out of them. So, I’m going to start reviewing these books here on the blog, in conjunction with trying and doing what they suggest.

I’m going to start with the compellingly titled First Draft in 30 Days by Karen S. Wiesner, because, conveniently enough, I’ve a new book I’m tinkering around with that I need to get a first draft going on! Here we can see what a helper book can offer when it’s one that leads you so directly to do and not read.

(I can tell you right now that I won’t be able to do this book in the strict, consecutive days format it mandates–I’ve a day job, family, and whatnot. But a day every couple, and maybe a couple days in one when possible, will be a pretty good way to keep this active.)

So, this week: let’s start a first draft!

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It is finished! …again!

This is going to be a brief post because it’s late, I’m tired, but I must tell the world! You know that novel I finished back in the post “It is finished!“? Well, I ran it through the “Critters” online writing workshop I belong to and a couple of trusted readers, and I’ve just tonight finished the final-final draft! (Well, I figure if an agent decides to take it on, they’ll likely have me complete yet another draft — but I’ll cross that stream when I have to bust it.)

In the meantime, I’m taking the leap and starting e-publishing it. (Hey, self publishing didn’t hurt Amanda Hocking’s or DAEMON’s Daniel Suarez’s. Though, no clue yet if my novel is good enough, but I think it’s not bad at all! *grin*)

Maybe tomorrow I’ll put up an excerpt and all… but right now: sleep! Aaahhh!

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