Category: Writing Page 3 of 4

No no, NaNoWriMo.

Once again, I’m going to give up on completing NaNoWriMo. I intended to use this weekend writing and editing. Well, I’d gotten quite a lot done editing my existing novel! …and absolutely no new writing done.

Well, it’s for the best, really. I’d rather be that much closer getting my existing novel into a shape in which other people might think it’s good, and not just me. šŸ™‚ If I can get a little bit more done every night this week, or at least another marathon editing weekend, I think I can get it finished before next week and be able to give it to some readers for critique. It’ll be nice to get some feedback from people outside my own head. The voices in there aren’t always the most trust-worthy.

I love this book, and I’m extremely proud of it — but I don’t mind saying I can’t wait to be done of it. Sure, I want it to be the best it can be! I’m not at all going to hedge on the effort going into editing it. But, when it’s done, when I’ve edited the last page and am ready to send it to paying customers/editors, I’m done with it. I totally understand how directors and actors when their franchise gets cancelled and they’re asked about fan efforts to revive their show, they often reply with a kind of “Oh, it was a great time in my life, but it’s over and I’ve moved on now. I don’t think I can return to that.” Makes me wonder what the heck’s George Lucas’ deal, constantly going back and fiddling with Star Wars. Guess it helps he just has to tell an army of people, “Go and change and add this. Hop to!”

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Talkin’ Turkey

OK, that’s surely the worst blog post title ever. I am ashamed.

Now that that’s behind us, I just came across the wonderful page on SFWA’s site (I don’t know how I’ve missed it! I love SFWA!) calledĀ Turkey City Lexicon ā€“ A Primer for SF Workshops. It’s great advice for aspiring authors of speculative fiction (applicable to any fiction, really) on what not to do — or at least try not to do. Not all of the items are Do Not Do’s, but are just descriptions of tropes that are so common (or notorious) that they have their own labels and names.

Most of this stuff I’d heard before elsewhere, but even so, I still find myself reading through the list and saying to myself, “Oops, guilty of that one . . . eep! I’ve done that. . . .”

Here’s a few samples of turkeys:

  • Idiot Plot

A plot which functions only because all the characters involved are idiots. They behave in a way that suits the authorā€™s convenience, rather than through any rational motivation of their own. (Attr. James Blish)

  • Kudzu plot

Plot which weaves and curls and writhes in weedy organic profusion, smothering everything in its path.

  • Plot Coupons

The basic building blocks of the quest-type fantasy plot. The ā€œheroā€ collects sufficient plot coupons (magic sword, magic book, magic cat) to send off to the author for the ending. Note that ā€œthe authorā€ can be substituted for ā€œthe Godsā€ in such a work: ā€œThe Gods decreed he would pursue this quest.ā€ Right, mate. The author decreed he would pursue this quest until sufficient pages were filled to procure an advance. (Nick Lowe)

  • Second-order Idiot Plot

A plot involving an entire invented SF society which functions only because every single person in it is necessarily an idiot. (Attr. Damon Knight)

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It is finished!

More later when I’m more awake, but I just wanted to announce that I just finished the 1st draft of my first novel,Ā tentativelyĀ titled Singularity Deferred. It’s 105,600 words long (about 25,000 longer than I anticipated), and 388 MLA-formatted pages.

I’m happy, pleased, proud… and exhausted! I’ll figure out what kind of ritual celebratory act I want to perform tomorrow; right now, I want to celebrate by sleeping. šŸ™‚

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Clickity-clack!

(PostĀ originally published on my other blog, GrogMonkey, back on Jan. 27, 2011. Still trying to figure out how to divide the work between the two blogs. I only have a couple more to cross-post in a batch after this one.)

One of my English Masters program classmates posted on Facebook that he recently bought an electric typewriter, and posted pictures. My initial knee-jerk reaction was, “Heh, cool.”Then my first reasoned mental response was, “Wait, what the heck is a typewriter for? Why in the world have a typewriter? Would he actually use it? Do they still make ribbon??”

But in the back of my mind that “Heh, cool” was still echoing around. There’s just something romantic, to a writer, about a typewriter — the tactile sensation of physical objects (keys, be they on swinging arms, daisy-wheels, or IBM character balls), changing the physical world (ink on paper with the barest impression of the letter pressed into the surface of the paper). Much in the same way guns are romantic and carry a mystique, being able to physically affect the world from a distance with an object commanded by your hand. (OK, does the gun metaphor make sense to only me?) Anyway, to someone who all but worships at the alter of the written word, having a machine that manipulates reality to force words into the material world is powerful, heady, and visceral.

Needless to say, I really like this typewriter idea.

It’s not the same with a computer. Sure, you press buttons and words appear on a screen, and that’s powerful in its own way. And knowing that those words, heck,Ā these words, can instantly be seen by someone mrs away or even by millions of people (heh, ok, not these words by millions, but you get my point), is awesome and sublimely powerful! But in a very abstract way. A higher-order way that requires a certain amount of sophisticated thought to really appreciate the power of kinetic force translated into 1s and 0s and retranslated into understandable language by a remote viewer. The typewriter affects a more immediate, primal connection in the mid-brain, in the right-brain, and in the “gut.”

OK, enough babbling — typewriters to a writer is just freakin’ cool!

Naturally, I’ve started looking for one. šŸ™‚ eBay, of course, has many for very cheap prices! Craig’s List has a few listed, for a little more ($50 to $100), but has the benefit of locality so I can see and try before I buy. I’ve looked, and people still make ribbon for a great many machines, and cheaply priced, too!

The problem is, of course, besides the unnecessary cost when I could spend that money on a week’s groceries, is space — we have no space in the house for unnecessary luxuries like that. And itĀ is an unnecessary luxury, sadly. After all, after I typed a story on it, I’d still scan it in to an OCR program so I could edit it on the PC; no way I’m retyping something line that. IĀ hate retyping stuff! With a passion. But, that experience of putting thought and imagination, fresh from the brain and never before exposed to the light of day, tattooed into the surface of the page, is a cathartic, almost shamanistic experience! Well worth the time to scan the result, page by page, into a doc file.

I didn’t always have this feeling about typewriters, back when I had no choice but to use them, in high school. Ugh! Writing on them was miserable! I always wrote everything, both fiction and school papers, longhand (something my pasty and soft hands actually can’t do for more than a minute any more). I’d erase and edit and erase and edit, and then have my proficient mother type the school papers for me. The fiction tended to stay in many lost notebooks.

I had a HS typing class, which I was miserable at. Miserable both in skill and mood. Much to my current chagrin! Twenty years later of obsessive computer use both for business and pleasure, I can type more than 60 w.p.m., and with little error, but in such a way that would make a touch-typist roll with laughter.

Perhaps the years of being disconnected from the physicality of creating words has turned my hate for the machine into a nostalgic adoration. Truly, Baudrillard-ian nostalgia for a thing that never existed. But, I feel it none the less. And I do hope I can find the space and money to get my own typewriter so I can feel that connection and embody that stereotype of the classic 20th century portrait of the earnest writer. But I think I owe my wife a scrapbooking table first….


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Berries! Why, flappers are the bee’s knees!

Just saw on BoingBoing, that site for all things wonderful, a link to a page detailing a Flapper’s Dictionary compiled in 1922.

First thing I thought was how fascinating this is from a linguistic point of view! To have slang of the day compiled and explained is an amazing source for those of us interested in language and vernacular and how it comes about and changes. I was intrigued by what slang has survived to today, both ironically (“cat’s pajamas”) and sincerely (a party “crasher”).

But then, what also came to mind was how even then someone was quick to jump on a trend, catalog it, condense it, and commercialize it and sell it back to the supposed participants in the subculture. Usually, today, when that happens, the subculture has already peaked and the original participants are moving on while the masses start buying the “Guide to…” and “Dictionary of…” and “How to be a…”

As a writer, it’s still an amazing and wonderful source! I’m reminded of the Coen brothers’ film, Miller’s Crossing. As usual for the Coens, a stunning film that has an ability to make language, usually some subculture of language, come alive! In the case of Miller’s Crossing, they took the vernacular of the 20s (though, I see, not too much of this dictionary was in it, though a lot of words that have come out of use, like, “What’s the rumpus?” “That twist!”) and carefully avoided what could have been comical and made the dialog become real.

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Farm-grown Spam

SF novelist Jim Macdonald has an article, “Fence Your Stolen Content at Amazon.com“. He discusses the threat of e-books as becoming the new breeding-ground fir spammers and search engine scammers:

“With the cost of self-publishing approaching zero thanks to e-publishing, and with content-farms being depreciated by Google, it seems that spammers have taken to e-publishing.”

As someone seeking to start a career with e-publishing as a significant cornerstone in the foundation, this bothers me a lot. As a user of the Internet since around 1995, I’ve seen the war against spam and pernicious Web advertisers get messy. As someone who has worked in IT in some way since 1998, I’ve been on frontlines fighting spam and blocking advertising. And, as a Web designer, I’ve had to fight hard to get sites as high as legitimately possible on search results while competing with unscrupulous content farms.

As someone who has spent his entire adult life, both personally and professionally, fighting with spammers and scammers, the prospect of having to continue the fight as a writer, wearies me greatly.

On the glass-half-full side, I have seen a great deal of improvement in the last 15 years in the war over e-mail spam. There was a time, before client spam filters and ubiquitous e-mail server filters, when I considered giving up e-mail altogether as the ratio of spam to ham in my inbox was 75/25. Now, the amount of spam I get barely annoys me.

The current hated weapon is the content farm. Do a search on Google for nearly anything and many of the hits you’ll get back will be to About.com or Suite101 or similar pages that have simply copy-and-pasted a page of generic info about your desired topic, and then filled it with product links and ads. Sadly, the war against these isn’t going too well.

And that’s the threat Macdonald sees in e-publishing — do a book search on Amazon.com for a particular topic, and find several cheap e-books… that have the same generic, boilerplate content as seen in similar pointless works across the ‘net. The legitimate author becomes a squeak in a sea of static.

Things change, and e-mail spam is a surprising example of things changing for the better. I have hope. Sadly, I don’t think it’ll improve until it gets much worse — and I have the impeccable timing to jump right into the fray.

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Stories for sale!

for saleNow, for your e-book reading enjoyment, I’ve put some of my stories (both previously published and new) up for sale on this site!

Maybe it’s an experiment to see if it goes anywhere, maybe I’ll be able to pay rent. Maybe my hopes and spirit will be dashed upon the barren rocks of disinterest. We’ll see.

But if you’re someone who like to support artists directly (especially poor, struggling artists) instead of corporate stock holders for mediaĀ conglomerates, consider buying a couple stories — or the low low priced five-story collection! They work great on iPhone/iPad’s iBook reader, Kindle, Nook, and other readers.

So, check the story page out and take a look at samples of the tales, won’t you? Your patronage will be appreciated!

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“The End of the Beginning” now released!

mbrane10

M-Brane #10

My new short story has been published! I’m, oh, just a little excited.

The story, “The End of the Beginning,” is in the latest edition of M-BRANE SF magazine, issue number 10. You have a few quick, easy, and inexpensive methods of getting it:

Visit this URL: http://mbranesf2.blogspot.com and on the right-hand side you’ll find the options:

  • Buy it in print through Lulu for $7.95 (direct link)
  • Buy a single PDF copy for $2.00
  • For the Amazon Kindle for $2.99 (direct link)
  • For the MobiPocket version for $1.99 (direct link)
  • Subscribe to a year of M-BRANE SF for $12! (A real steal!)
  • (You can also just donate to the writer’s fund; I’m sure they’d really appreciate it!)

(NOTE! As of this writing, the Amazon and the MobiPocket versions aren’t yet available. If you want it for Kindle or Mobi-compatible reader, please check those sites in a couple days or so.)

“The End of the Beginning” was a fun story to write. It started with my musing about the eventual heat-death of the universe and just flowed from there in just an hour. (Plus, of course, some significant time editing to make it at least slightly readable.) As for the rest of the stories in issue #10, can’t say. I haven’t read it yet as the second it came available ti started writing this post. šŸ™‚ But the stories found in issue #1 (which you can get for free) and #9 are varied and interesting!

Anyway, if I may beg, please support struggling authors and the publishers that give them a voice and buy yourself a copy! šŸ™‚

Moon City Review 2009Don’t forget, you can also get my first published story, “A Price in Every Box” (huh, I’m sensing a theme in my titles) in Moon City Review 2009. It’s available for $15.95 or through Amazon for $12.44. That story is kind of a contemporary fantasy, or maybe slipstream if you will. The book itself is a very eclectic collection of all different genres, including poetry and photography. So if you don’t like all SF, give Moon City Review a try!
(And keep your eye open, sometime next year the book Confederate Girlhoods: A Women’s History of Early Springfield, Missouri will become available. I helped edit it and contributed a little original text for it.)

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NaNoWriMo, again. Maybe. Perhaps?

Writers_Block_1Once again I’ll be participating in the National Novel Writing Month (NaNoWriMo). And this time I mean it!

The point of NaNoWriMo is to help people get past the blocks and barriers and hesitations and just write, dammit. Heck with editing (for now), heck with obligations and excuses for not having time, NaNoWriMo provides the excuse to write ~three pages a day, every day, for a month. If you get 50,000 words of new material (can’t work on something you’ve already been working on; you have to start fresh November 1st), you win!

What do you win? Well, I think there’s a Web image you can put on your Web site saying you completed, but otherwise, you win the pride and honor of actually writing a (small!) novel’s worth of words. I’ve tried in the past. In fact, the first time was several years ago when NaNoWriMo was hardly known about. I think I uploaded maybe 5,000 words before I stopped. Then I tried two more time more recently, and stopped before I began. But this time, I’m doin’ it! But to really get and stay motivated with the task of writing every single day no matter what, it’s helpful to really get into the mood and networking and social atmosphere NaNoWriMo helpsĀ facilitateĀ with the tools and advice they put on their site, and connect with fellow participants who you can trade encouragement with. It’s very much like a 12-step program or something.

The one roadblock I have (in additional to blaming being too brain-dead after work each day to write) is I’m still trying to finish my current novel/Master’s thesis. If I want to graduate this December, I really needed to have it turned in already to my readers. It’s currently about 270 pages long and that’s about 150 pages more than the thesis readers tend to have to deal with. I should just take the advice of my advisor and stop it where it is, edit the existing material, tack on a summary of what’s supposed to happen, and call it good. And I’ll probably do that. Plus, I have a couple of class papers due in December that I can use as excuse to not NaNoWriMo some days–even though these are easier papers than I’ve had to write in most of my grad school career thus far.

What I’m saying is: I can’t use those as excuses. I’m doing NaNoWriMo, and I can still work on other projects–and in fact, this should help me be able to work on these projects a lot more than I currently do where after work I feel like my brain isn’t capable of scholarly thought. (Well, it still won’t be. It may actually not help with my school stuff at all, and the NaNoWriMo output quality may suck horribly.

But there’s one thing I’m keeping in mind as I participate which has been aĀ deterrentĀ in the past: I’m looking at this as working toward a completed work. My current novel is going to be vaguely 90,000 words long. The normal length for a novel (from novice writers) is around 80,000 to 100k. Most people say 80,000 is really as small as most publishers will consider now-a-days (have you seen how short most novels were before the late 1980s?!) But here’s the thing: one of my favorite authors, Cory Doctorow, has a 50k word novel (Eastern Standard Tribe) and a 48k word novel (Down and Out in the Magic Kingdom), and they’re fantastic! (Especially the later. EST is good but anti-climactic). A novel doesn’t have to be 80k+ words to be good.

And, as Cory and Wil Wheaton and other have proven, you don’t need to cowtow to the publishing industry in order to be published or get your work into the hands of interested people. So, this silly roadblock I created for myself that because this super-productive blast of creative writing would be an incomplete work, I shouldn’t bother participating in the structured and constrictive waste of time of NaNoWriMo, can be ignored like the drek it is.

So, here’s my NaNoWriMo profile: http://www.nanowrimo.org/eng/user/520083. If you think you may participate as well, “buddy” me. Now, all I need to do is try to figure out which plot idea I want to try to develop. šŸ˜›

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It’s a novel, folks!

quillMy Master’s thesis is a “creative thesis” since my focus is on Creative Writing, and I finally passed 60,000 words (aprox. 190 MLA formatted pages or 240 mass market paperback pages). Technically 50K is the minimum publisher accepted length for a novel with 80K being the generally preferred length especially for a first novel. By the looks of it, I should have at least 90K when I’m done. That is, according to my loose outline and my gut feeling of how it’s turning out.

I reached a point recently where I got “that feeling” that authors sometimes talk about where the story writes itself (I’ve been writing, unpublished, for like 20 years now, and I’ve had those moments before but in a very superficial way). I have this feeling of impending doom that one of the main characters has to die. It’s a really weird feeling, almost like a premonition (if I believed in such things) which is doubly weird since I’m “premonitioning” a fictional event in a narrative I’m writing! But I’m actually filled with anxious anticipation as I really don’t know what her fate is going to be and I know it will have to work as an appropriate result of story events.

Anyway, it’s all very exciting…for me. šŸ™‚

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